![]() ![]() ![]() SURVEYING OUR CULTURAL LANDSCAPE through the prepositional prism of after is hardly a new approach among critics and historians writing on art during the past quarter century. From the Fourth Moscow Biennale of Contemporary Art, 2011. ![]() Installation view, ARTPLAY Design Center, Moscow, 2011. Claire Fontaine, P.I.G.S., 2011, matchsticks, plaster wall, concealed corridor, HD-video projection (color, sound, 9 minutes 38 seconds). ![]()
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